
| Course Code | : SAT303 |
| Course Type | : Required |
| Couse Group | : First Cycle (Bachelor's Degree) |
| Education Language | : Turkish |
| Work Placement | : N/A |
| Theory | : 2 |
| Prt. | : 0 |
| Credit | : 2 |
| Lab | : 0 |
| ECTS | : 4 |
To examine the Roman-Early Christian and Early Byzantine wall paintings in Anatolia through examples of non-technical, stylistic and iconographic analysis initially.In addition, during and after İkonoclasm, understanding of the changing decoration, and accompanied by examples of the new program by examining the image, depicting the effect on the period will be discussed.
In this course, the late Roman-Early Christian period wall paintings within the Roman Catacomps murals and that decorate the structures of the early Byzantine period mosaics in Italy will be the subject, as well as during and after İkonaklazma, Anatolia and the activities of non-structural patterns emerging over the image will be examined in detail.
| Assoc. Prof. Osman ÜLKÜ |
| 1. | To be able to define Byzantine painting art, and production techniques ,discuss the similarities and differences according to different periods. |
| 2. | To be able to evaluate image examples of Byzantine periods, in terms of the iconographic and stylistic features. |
| 3. | To be able to evaluate the Byzantine painting in terms of political, social, religious, economic, and artistic dimensions of the period. |
| 4. | To be able to discuss political, social, religious, economic and artistic condition of the period by taking into account the topics covered in the Byzantine Painting Art |
| 5. | Students learn decoration of mosaic and fresco technique in Byzantine art. |
| 1. | BECKWITH, J., Early Christian and Byzantine Art, London 1979 |
| 2. | BOURGUET, P., Early Christian Painting, New York 1966 |
| 3. | BOVINI, G., Ravenna Mozaikleri, Katalog |
| 4. | Cutler, Transfiguration: Studies in the Dynamics of Byzantine Iconography, |
| 5. | CULTER, A., Imagery And Ideology İn Byzantıne Art, Great Britain 1992 |
| 6. | DEMUS, Byzantine Mosaic Decoration, London 1948. |
| 7. | FERGUSON, G., Signs And Symbols İn Chrıstıan Art, London 1955 |
| 8. | GRABAR, A., La Peinture Byzantine, 1979 |
| 9. | GRANT, M., The Art And Life Of The Herculaum And Pompei, Milan 1979. Hetherington, P., Byzantium, City of Gold, City of Faith, 1981. |
| 10. | MATHEWS, T. F., Byzantium, From Antiquity to the Renaissance, New York |
| 11. | RICE, D.T., The Art of Byzantium, London 1959. |
| 12. | RICE, D.T., Art of the Byzantine Era, London 1994. |
| 13. | ÖTÜKEN, Y., Göreme, Kültür ve Turizm BakanlıĞı Yayını Tanıtma Eserleri Dizisi, Ankara 1987. |
| 14. | ÖTÜKEN, Y., Ihlara Vadisi, Kültür Bakanlığı Tanıtma Eserleri Dizisi, Ankara 1990. |
| Type of Assessment | Count | Percent |
|---|---|---|
| Midterm Examination | 1 | %40 |
| Final Examination | 1 | %60 |
| Activities | Count | Preparation | Time | Total Work Load (hours) |
|---|---|---|---|---|
| Lecture - Theory | 14 | 0 | 2 | 28 |
| Assignment | 1 | 12 | 2 | 14 |
| Reading | 10 | 1 | 2 | 30 |
| Midterm Examination | 1 | 8 | 1 | 9 |
| Final Examination | 1 | 12 | 1 | 13 |
| TOTAL WORKLOAD (hours) | 94 | |||
PÇ-1 | PÇ-2 | PÇ-3 | PÇ-4 | PÇ-5 | PÇ-6 | PÇ-7 | PÇ-8 | PÇ-9 | PÇ-10 | PÇ-11 | PÇ-12 | |
OÇ-1 | 5 | 5 | 5 | 3 | 4 | 3 | 4 | 4 | 4 | 5 | 5 | 5 |
OÇ-2 | 5 | 5 | 4 | 2 | 2 | 3 | 3 | 4 | 2 | 5 | 5 | 5 |
OÇ-3 | 3 | 4 | 5 | 2 | 4 | 5 | 4 | 5 | 3 | 5 | 5 | 3 |
OÇ-4 | 5 | 5 | 5 | 3 | 4 | 3 | 4 | 4 | 4 | 5 | 5 | 5 |
OÇ-5 | 4 | 3 | 3 | 4 | 5 | 3 | ||||||