
| Course Code | : RTS403 |
| Course Type | : Required |
| Couse Group | : First Cycle (Bachelor's Degree) |
| Education Language | : Turkish |
| Work Placement | : N/A |
| Theory | : 3 |
| Prt. | : 0 |
| Credit | : 3 |
| Lab | : 0 |
| ECTS | : 5 |
Basic approaches in film analysis; Theoretical and practical dimensions of the students to be taught at least two film analyzes are aimed at these students
This course includes approaches to historical, philosophical, auether, feminist, semiotic theory, sociological, ideological, psychoanalytic, political, postmodern and genre criticism and analysis on related films.
| Assoc. Prof. Dilan TÜYSÜZ |
| 1. | Learns different film analysis methods and can apply them to various films. |
| 2. | Analyzes the social, cultural and political contexts of films by making comprehensive interpretations on films. |
| 3. | Gains the ability to evaluate films from a critical point of view. |
| 4. | Interpret films by analyzing the narrative techniques, visual and auditory elements of films. |
| 5. | Conducts academic research on film analysis and presents his/her findings in writing. |
| 6. | Develops the ability to express film analysis in a structured, logical and fluent written form. |
| 7. | Develops critical thinking and communication skills by analyzing films from various perspectives. |
| 1. | Michael Ryan&Melissa Lenos (2012) Film Çözümlemesine Giriş |
| 2. | Zafer Özden. Film Eleştirisi |
| 3. | Corrigan, Timothy (2008) Film Eleştirisi El Kitabı (çev. Ahmet Gürata), Ankara: Dipnot Yayınları. |
| 4. | James Monaco (2001) Bir Film Nasıl Okunur |
| 5. | Peter Wollen (2008) Sinemada Göstergeler ve Anlam |
| 6. | Murat İri (2011)Sinema Araştırmaları Kuramlar Yaklaşımlar |
| 7. | Mike Wayne” (2009) Politik Film” |
| 8. | M. Ryan & D. Kellner. (2010) ”Politik Kamera” |
| 9. | Foss, Bob (2009). Sinema ve Televizyonda Anlatım Teknikleri ve Dramaturji (çev. Mustafa Gerçeker), İstanbul: Hayalbaz Kitap. |
| 10. | Monaco, James (2002). Bir Film Nasıl Okunur? Sinema, Medya ve Multimedya Dünyası (çev. Ertan Yılmaz), İstanbul: Oğlak Yayıncılık. |
| 11. | Oluk, Ayşen (2008). Klasik Anlatı Sineması, İstanbul: Hayalet Kitap. |
| 12. | Serdar Öztürk. “Mekan ve İktidar: Filmlerle İletişim Mekanlarının Altpolitikası”. |
| 13. | Lale Kabadayı “Film Eleştirisi” |
| 14. | ”2000 Sonrası Türk Sinemasına Eleştirel Bir Bakış” (Derleme) |
| 15. | Veysel Atayman ”Şiddetin Mitolojisi” |
| 16. | Mike Wayne ”Sinemayı Anlamak-Marksist Perspektifler-“ |
| 17. | John Orr ”Sinema ve Modernlik” |
| 18. | Anneke Smelik ”Feminist Sinema ve Film Teorisi” |
| 19. | ”Postmodernizm ve Sinema” (Derleme) |
| Type of Assessment | Count | Percent |
|---|---|---|
| Midterm Examination | 1 | %40 |
| Final Examination | 1 | %40 |
| Quiz | 8 | %20 |
| Activities | Count | Preparation | Time | Total Work Load (hours) |
|---|---|---|---|---|
| Lecture - Theory | 13 | 4 | 3 | 91 |
| Quiz | 8 | 1 | 1 | 16 |
| Midterm Examination | 1 | 6 | 3 | 9 |
| Final Examination | 1 | 6 | 3 | 9 |
| TOTAL WORKLOAD (hours) | 125 | |||
PÇ-1 | PÇ-2 | PÇ-3 | PÇ-4 | PÇ-5 | PÇ-6 | PÇ-7 | PÇ-8 | PÇ-9 | PÇ-10 | PÇ-11 | PÇ-12 | PÇ-13 | PÇ-14 | PÇ-15 | PÇ-16 | |
OÇ-1 | 5 | 3 | 4 | 5 | 4 | 4 | 4 | |||||||||
OÇ-2 | 4 | 3 | 3 | 4 | 5 | 5 | ||||||||||
OÇ-3 | 4 | 2 | 5 | 5 | 3 | 4 | ||||||||||
OÇ-4 | 4 | 2 | 3 | 4 | 3 | 2 | 5 | |||||||||
OÇ-5 | 3 | 2 | 4 | 4 | 4 | |||||||||||
OÇ-6 | 3 | 4 | 4 | 3 | ||||||||||||
OÇ-7 | 4 | 2 | 2 | 5 | 5 | 3 | 5 | |||||||||