Information Package / Course Catalogue
Bağlama VI
Course Code: KGTM324
Course Type: Area Elective
Couse Group: First Cycle (Bachelor's Degree)
Education Language: Turkish
Work Placement: N/A
Theory: 3
Prt.: 1
Credit: 4
Lab: 0
ECTS: 6
Objectives of the Course

Realization of the traditions that work in the context of baglama

Course Content

Evaluation of traditional gospel and non-thesis vocalization techniques through examples appropriate to the level

Name of Lecturer(s)
Ins. Osman Fethi ARK
Learning Outcomes
1.Explain the techniques related to sound production without thesis.
2.Structurally analyze the ways of calling the tradition, which is called “Şelpe”.
3.Transfers the acts regarding the production of sound without thesis to the binding table.
4.It performs the actions regarding the production of sound without thesis in the orderly (tuning) types and the samples suitable for the level.
5.It performs the actions regarding the production of sound without thesis in the orderly (tuning) types and the samples suitable for the level.
Recommended or Required Reading
1.Can KARAHAN, “A New Method in Baglama Teaching”, Okutman Publishing, February 2010, Ankara.Can KARAHAN, “Curtain Curtain Baglama” Ondokuz Mayıs University Press, August 2016, Samsun.
2.Erol Parlak, "Turkey in the Manual (SELP) Linking Tradition and worked Playing Techniques", T. C. Ministry of Culture Publications, 2000, Ankara.
3.M. Ragıp GAZİMİHAL, “Our Copuz and Threaded Reeds in Countries”, T.C. Ministry of Culture Publications, 2001, Ankara.
4.Ertuğrul BAYRAKTAR, et al., “Turkish Folk Music Instrument Knowledge”, T.C. Ministry of Culture Publications, 1989, Ankara.
Weekly Detailed Course Contents
Week 1 - Theoretical & Practice
Structural solution of acts of vocalizing a sample from Teke region by binding
Week 2 - Theoretical & Practice
Lover's attitude in the context of location-changing actions; "In the binding order"
Week 3 - Theoretical & Practice
Techniques of producing sound without thesis according to the regions
Week 4 - Theoretical & Practice
Techniques of producing sound without thesis in the context of location-free actions; in binding arrangement
Week 5 - Theoretical & Practice
Techniques of producing sound without thesis in the context of location-free actions; in bad order
Week 6 - Theoretical & Practice
Techniques of producing sound without thesis in the context of location-changing actions; in binding arrangement
Week 7 - Theoretical & Practice
Techniques of producing sound without thesis in the context of location-changing actions; in bad order
Week 8 - Theoretical & Practice
Techniques of producing sound without thesis in the context of location-changing actions; in bad order
Week 9 - Theoretical & Practice
Structural solution of acts of vocalization of a sample from Tokat region by binding; in binding arrangement
Week 10 - Theoretical & Practice
Structural solution of acts of vocalization of a sample from Tokat region by binding; in binding arrangement
Week 11 - Theoretical & Practice
Structural solution of acts of vocalization of a sample from Tokat region by binding; in binding arrangement
Week 12 - Theoretical & Practice
Structural solution of acts of vocalization of a sample from Erzincan region by binding; in bad order
Week 13 - Theoretical & Practice
Structural solution of acts of vocalization of a sample from Erzincan region by binding; in bad order
Week 14 - Theoretical & Practice
Structural solution of acts of vocalization of a sample from Erzincan region by binding; in bad order
Assessment Methods and Criteria
Type of AssessmentCountPercent
Midterm Examination1%40
Final Examination1%60
Workload Calculation
ActivitiesCountPreparationTimeTotal Work Load (hours)
Lecture - Theory144170
Midterm Examination1151530
Final Examination1252550
TOTAL WORKLOAD (hours)150
Contribution of Learning Outcomes to Programme Outcomes
PÇ-1
PÇ-2
PÇ-3
PÇ-4
PÇ-5
OÇ-1
4
4
4
4
4
OÇ-2
OÇ-3
OÇ-4
OÇ-5
Adnan Menderes University - Information Package / Course Catalogue
2026