Week 1 - Theoretical
Introduction to the course, approaches to be followed
Week 2 - Theoretical
What is type? Comparison between type and style, awareness of type in international music and types of Turkish music, (Traditional Turkish Art music, Modern Turkish Music)
Week 3 - Theoretical
Sound, Sound and pitch system in Turkish Music , (Tampere dizge, Onyedili Perde Dizgesi). (Discussion about Pitch and Sound system).
Week 4 - Theoretical
Komalı Sound systems, Yirmidörtlü Ses Dizgesi, (Discussion about Komalı sound system))
Week 5 - Theoretical
Melody, Uygu, Theme,Mode, (related examples will make the subject more clear. )
Week 6 - Theoretical
Pattern, development techniques of pattern and melody; (Motifin ya da ezginin ses genliğini genişletme veya daraltma, Motifin ya da ezginin ses sürelerinin büyütülmesi veya küçültülmesi, motifin yatay ya da dikey ters çevrilmesi),(related examples will make the subject more clear).
Week 7 - Practice
Sekileme, Bezeme, Çatal, Çeşitleme: a) Süreler sabit, aralıklar değiştirilerek yapılan çeşitleme, b) Aralık sabit süreler değiştirilerek yapılan çeşitleme, c) Ezgi sabit kalıp, uyguyu değiştirerek yapılan
Week 8 - Theoretical & Practice
The factors making the song monotonous and boring: a) Ezginin usûl vuruşlarına bağımlılığı, b) Seyir (Edvâr), c) Kalıp motif, Müzik Eserlerinde Estetik Güzelliği ve Sanatsallığı Oluşturan Etkenler, (Prozodi, senkop), (İlgili örnekler seslendirilerek konunun daha iyi anlaşılması sağlanacaktır).
Week 9 - Theoretical & Practice
The factors making the song monotonous and boring: a) Ezginin usûl vuruşlarına bağımlılığı, b) Seyir (Edvâr), c) Kalıp motif, Müzik Eserlerinde Estetik Güzelliği ve Sanatsallığı Oluşturan Etkenler, (Prozodi, senkop), (İlgili örnekler seslendirilerek konunun daha iyi anlaşılması sağlanacaktır).
Week 10 - Theoretical & Practice
Bölüm, Style, Detecting the stle of the song, Biçim yazısını belirten harfler, Biçim kurguları ve açıklanması, (related examples will make the subject more clear.).), *Rewiew of topics covered so far.
Week 11 - Theoretical & Practice
ethod in Performing a song ,detecting the composer, Yesârî Âsım Arsoy’s composition, items to be spotted in Edisyon- Kritik, (related examples will make the subject more clear).
Week 12 - Theoretical & Practice
Types in Turkish music: Traditional Folk Music; (Dizgesel ögeler, instrumental items, melodic items, rhythmic items, stylistic items, icrâsal ögeler; a) Ağız, b) Tavır, c) Düzen), Types in Traditional Folk Music; Ballad; 1) Ballads according to their verbal contents, 2) Ballads according to their verbal types 3) Ballads according to their tuning purposes and places they are performed, 4) Ballads according to their modes, 5) Ballads according to their regions, (
Week 13 - Theoretical & Practice
Types in Turkish music: Traditional Folk Music; (Dizgesel ögeler, instrumental items, melodic items, rhythmic items, stylistic items, icrâsal ögeler; a) Ağız, b) Tavır, c) Düzen), Types in Traditional Folk Music; Ballad; 1) Ballads according to their verbal contents, 2) Ballads according to their verbal types 3) Ballads according to their tuning purposes and places they are performed, 4) Ballads according to their modes, 5) Ballads according to their regions, (
Week 14 - Theoretical & Practice
Types in Turkish music: Traditional Folk Music; (Dizgesel ögeler, instrumental items, melodic items, rhythmic items, stylistic items, icrâsal ögeler; a) Ağız, b) Tavır, c) Düzen), Types in Traditional Folk Music; Ballad; 1) Ballads according to their verbal contents, 2) Ballads according to their verbal types 3) Ballads according to their tuning purposes and places they are performed, 4) Ballads according to their modes, 5) Ballads according to their regions,
