Information Package / Course Catalogue
| Course Code | : KGTM429 |
| Course Type | : Area Elective |
| Couse Group | : First Cycle (Bachelor's Degree) |
| Education Language | : Turkish |
| Work Placement | : N/A |
| Theory | : 1 |
| Prt. | : 1 |
| Credit | : 2 |
| Lab | : 0 |
| ECTS | : 6 |
Creating different performance patterns to work in contextual vocalization
Types of performance used in traditional voices in baglama; types of performance used in binding derivative instruments (about near or far geographies)
| Ins. Çağdaş AKINCI |
| 1. | Recognizes the binding derivative or binding related instruments of different cultures. |
| 2. | Recognize the binding derivative or binding related master instrument voices from different cultures |
| 3. | Evaluates the rhythmic patterns that work in the context of binding in terms of finger acts. |
| 4. | Evaluates rhythmic patterns for binding use in terms of wire usage. |
| 5. | Evaluates binding derivative instruments of different cultures in terms of finger and string usage. |
| 1. | Can KARAHAN, “A New Method in Baglama Teaching”, Instructor Publishing, February 2010, Ankara |
| 2. | Erol Parlak, "Turkey in the Manual (SELP) Linking Tradition and worked Playing Techniques", T. C. Ministry of Culture Publications, 2000, Ankara |
| 3. | M. Ragıp GAZİMİHAL, “Our Copuz and Threaded Reeds in Countries”, T.C. Ministry of Culture Publications, 2001, Ankara |
| 4. | Ertuğrul BAYRAKTAR, et al., “Turkish Folk Music Instrument Knowledge”, T.C. Ministry of Culture Publications, 1989, Ankara. |
| Type of Assessment | Count | Percent |
|---|---|---|
| Midterm Examination | 1 | %40 |
| Final Examination | 1 | %60 |
| Activities | Count | Preparation | Time | Total Work Load (hours) |
|---|---|---|---|---|
| Lecture - Theory | 14 | 4 | 1 | 70 |
| Midterm Examination | 1 | 15 | 15 | 30 |
| Final Examination | 1 | 25 | 25 | 50 |
| TOTAL WORKLOAD (hours) | 150 | |||
PÇ-1 | PÇ-2 | PÇ-3 | PÇ-4 | PÇ-5 | |
OÇ-1 | 4 | 4 | 4 | 4 | 4 |
OÇ-2 | |||||
OÇ-3 | |||||
OÇ-4 | |||||
OÇ-5 | |||||