Information Package / Course Catalogue
| Course Code | : STV520 |
| Course Type | : Area Elective |
| Couse Group | : Second Cycle (Master's Degree) |
| Education Language | : Turkish |
| Work Placement | : N/A |
| Theory | : 3 |
| Prt. | : 0 |
| Credit | : 3 |
| Lab | : 0 |
| ECTS | : 5 |
The aim of this course is to examine the relationship between cinema and philosophy, to discuss the philosophical possibilities of cinema, and to gain the ability to critique films philosophically through cinematic thinking.
The relationship between cinema and philosophy is explained. A connection is established between criticism and cinema-philosophy. The idea of cinematic thinking is examined with sample films.
| Assoc. Prof. Alper ERÇETİNGÖZ |
| 1. | Getting knowledge about evaluation of product of cinema art and philosophy. |
| 2. | Practice on all theoretical areas of philosophy for film criticism. |
| 3. | Examination of films and getting ability to write criticism academically. |
| 4. | Make a comparative analysis on Turkish films for writing criticism. |
| 5. | Make a comparative analysis on World Cinema for writing criticism. |
| 1. | Aitken, I. (2015). Avrupa Sinema Kuramları, Eleştirel Analiz (Çev. Atam, Z.). Doruk Yayınları. |
| 2. | Badiou, A. (2013). Cinema. Polity Press. |
| 3. | Butler, A. (2011). Film Çalışmaları (Çev. Toprak, A..). Kalkedon Yayınları. |
| 4. | Carroll, N. (2008). The Philosophy of Motion Pictures. Blackwell Publishing. |
| 5. | Deleuze, G. (2014). Sinema I. Hareket-İmge (Çev. Özdemir, S.). Norgunk Yayıncılık. |
| 6. | Deleuze, G. (1997). Cinema 2 The Time-Image (Trans. Tomlinson, H. & Galeta, R.). University of Minnesota Press. |
| 7. | Deleuze, G. & Guattari, F. (2001). Felsefe Nedir? (Çev. Ilgaz, T.). Yapı Kredi Yayınları. |
| 8. | Frampton, D. (2013). Filmozofi (Çev. Soydemir, C.). Metis Yayınları. |
| 9. | Herzogenrath, B. (2017) (Ed.) - Film as Philosophy. University of Minnesota Press. |
| 10. | Kabadayı, L. (2013). Film Eleştirisi, Kuramsal Çerçeve ve Sinemamızdan Örnek Çözümlemeler. Ayrıntı Yayınları. |
| 11. | Lazzarato, M. (2017). Videofelsefe (Çev. Solmaz, Ş. Ç.). Otonom Yayıncılık. |
| 12. | Livingstone, P. & Plantinga, C. (Ed.) (2009). Philosophy and Film. Routledge. |
| 13. | Münsterberg, H. (1916). The Photoplay, A Psychological Study. D. Appleton and Company. |
| 14. | Öztürk, S. (2016). SineFilozofi: Kurosawa’nın Düşler’inde SineFilozofik Bir Yolculuk. Heretik. |
| 15. | Rodowick, D. N. (1997). Gilles Deleuze’s Time Machine. Duke University Press. |
| 16. | Sanders, S. M. (2008). The Philosophy of Science Fiction Film. The University Press of Kentucky. |
| 17. | Sauvagnargues, A. (2010). Deleuze ve Sanat (Çev. Sarıca, N.). De Ki. |
| 18. | Shamir, Tal S. (2016). Cinematic Philosophy. Palgrave Macmillan. |
| 19. | Stam, R. (2014). Sinema Teorisine Giriş (Çev. Salman, S. & Asatekin, Ç.). Ayrıntı Yayınları. |
| 20. | Süalp, Z. T. A. (2004). Zamanmekân Kuram ve Sinema. Bağlam Yayınları. |
| 21. | Sütcü, Ö. Y. (2005). Gilles Deleuze'de İmge Hareketi Olarak Sinemanın Felsefesi. Es Yayınları. |
| 22. | Tarkovsky, A. (2008). Mühürlenmiş Zaman (Çev. Ant, F.). Agora Kitaplığı. |
| 23. | Tucker, T. D. & Kendall, S. (Ed.) (2011). Terrence Malick - Film and Philosophy. Continuum. |
| 24. | Yacavone, D. (2015). Film Worlds, A Philosophical Aesthetics of Cinema. Columbia University Press. |
| Type of Assessment | Count | Percent |
|---|---|---|
| Midterm Examination | 1 | %40 |
| Final Examination | 1 | %60 |
| Activities | Count | Preparation | Time | Total Work Load (hours) |
|---|---|---|---|---|
| Lecture - Theory | 15 | 2 | 3 | 75 |
| Midterm Examination | 1 | 20 | 1 | 21 |
| Final Examination | 1 | 30 | 1 | 31 |
| TOTAL WORKLOAD (hours) | 127 | |||
PÇ-1 | PÇ-2 | PÇ-3 | PÇ-4 | PÇ-5 | PÇ-6 | |
OÇ-1 | 5 | 5 | 4 | 4 | 5 | 4 |
OÇ-2 | 4 | 5 | 4 | 5 | 4 | 5 |
OÇ-3 | 4 | 5 | 3 | 5 | 4 | 5 |
OÇ-4 | 5 | 5 | 4 | 4 | 5 | 5 |
OÇ-5 | ||||||