
| Course Code | : İLH386 |
| Course Type | : Area Elective |
| Couse Group | : First Cycle (Bachelor's Degree) |
| Education Language | : Turkish |
| Work Placement | : N/A |
| Theory | : 2 |
| Prt. | : 0 |
| Credit | : 2 |
| Lab | : 0 |
| ECTS | : 4 |
The purpose of the Islamic Calligraphy Art - II course is to reinforce students’ understanding of the fundamental concepts of calligraphy within the context of Islamic aesthetics, to familiarize them with different styles and schools, and to provide a comprehensive understanding of the historical and contemporary place of calligraphy art. Additionally, it aims to facilitate comprehension of its relationships with architectural, Sufi, illumination, miniature, and bookbinding arts.
This course revisits the fundamental concepts of Islamic calligraphy, explores its position within Islamic aesthetics, and examines various styles and schools. The meanings and interpretations of Celî script, practical applications such as architectural inscriptions and tomb epitaphs, and the tradition of calligraphy certification (icazetname) will be studied. The relationship between calligraphy and Sufi aesthetics, as well as its connections to other arts such as illumination, miniature, and bookbinding, will be analyzed. Furthermore, the conceptual development from Kufic to modern calligraphy, modern interpretations, and contemporary artists and institutions will be evaluated.
| 1. | Analyzes the place of the art of Islamic calligraphy within Islamic aesthetics. |
| 2. | Distinguishes between different styles and schools in calligraphy art. |
| 3. | Interprets and contextualizes calligraphic inscriptions found in architectural structures. |
| 4. | Explains the relationships between Islamic calligraphy and other arts such as Sufism, illumination, miniature, and marbling. |
| 5. | Evaluates modern interpretations of calligraphy and identifies contemporary artists and institutions. |
| 1. | Subaşı, M.H. (1997). Introduction to Writing. Istanbul: Dersaadet Publishing. |
| 2. | Alparslan, A. (1999). The History of Ottoman Calligraphy Art. Istanbul: Yapı Kredi Publishing. |
| 3. | Yazır, M.B. (1975). The Beauty of Script and Pen. Ankara: Directorate of Religious Affairs Publishing. |
| 4. | Dere, Ö.F. (2020). Calligraphy for Beginners. Istanbul: İnkılab Publishing. |
| 5. | Yazır, B. (2024). Writing in the World of Civilization and the Beauty of the Pen in Islamic Civilization - Volume I. Ankara: Presidency of Religious Affairs Publications. |
| 6. | Yazır, B. (2024). Writing in the World of Civilization and the Beauty of the Pen in Islamic Civilization - Volume II. Ankara: Presidency of Religious Affairs Publications. |
| 7. | Schick, İ. C., & Gharipour, M. (2013). Calligraphy and Architecture in the Islamic World (Trans. Ayşen Anadol). Istanbul: Albaraka Publishing. |
| 8. | Baltacıoğlu, I. H. (1958). The Art of Writing among the Turks. Ankara: Publications of the Faculty of Theology, Ankara University. |
| Type of Assessment | Count | Percent |
|---|---|---|
| Attending Lectures | 1 | %5 |
| Verbal Examination | 1 | %5 |
| Midterm Examination | 1 | %30 |
| Final Examination | 1 | %60 |
| Activities | Count | Preparation | Time | Total Work Load (hours) |
|---|---|---|---|---|
| Lecture - Theory | 14 | 3 | 2 | 70 |
| Term Project | 1 | 1 | 1 | 2 |
| Reading | 1 | 2 | 1 | 3 |
| Individual Work | 1 | 2 | 1 | 3 |
| Midterm Examination | 1 | 8 | 1 | 9 |
| Final Examination | 1 | 12 | 1 | 13 |
| TOTAL WORKLOAD (hours) | 100 | |||
PÇ-1 | PÇ-2 | PÇ-3 | PÇ-4 | PÇ-5 | PÇ-6 | PÇ-7 | PÇ-8 | PÇ-9 | PÇ-10 | PÇ-11 | PÇ-12 | PÇ-13 | PÇ-14 | PÇ-15 | PÇ-16 | PÇ-17 | PÇ-18 | PÇ-19 | PÇ-20 | |
OÇ-1 | 3 | 3 | 4 | |||||||||||||||||
OÇ-2 | 3 | 4 | 4 | |||||||||||||||||
OÇ-3 | 3 | 4 | 4 | 4 | ||||||||||||||||
OÇ-4 | 3 | 4 | 4 | |||||||||||||||||
OÇ-5 | 4 | 4 | 4 | |||||||||||||||||