Information Package / Course Catalogue
Drama in Teaching English
Course Code: ENT354
Course Type: Area Elective
Couse Group: First Cycle (Bachelor's Degree)
Education Language: English
Work Placement: N/A
Theory: 2
Prt.: 0
Credit: 2
Lab: 0
ECTS: 4
Objectives of the Course

The aim of this course is to introduce the types and uses of drama techniques used to motivate the student in foreign language education. It is also to show that educational drama practices can be improved.

Course Content

Definition of drama, drama techniques, types of drama, educational drama, educational drama according to different age groups.

Name of Lecturer(s)
Prof. Faruk KALAY
Learning Outcomes
1.Students define drama and its derivatives
2.Understands the benefits of drama practices
3.Applies different drama techniques
4.Compares the benefits of different drama techniques.
5.Students create new drama techniques according to student needs
Recommended or Required Reading
1.The Use of Dramatic Techniques in the Teaching of English as a Foreign Language by Liliane Bois-Simon
Weekly Detailed Course Contents
Week 1 - Theoretical
Introduction to the course The Types of Plays
Week 2 - Theoretical & Practice
Oedipus Rex by Sophocles The Greek Chorus / Hubris Four students in a group. the prompt is "The Plague of Thebes." They must create a frozen image representing the suffering of the city. One student acts as the sculptor. Tableux Viviant
Week 3 - Theoretical & Practice
Soliloquy / The Globe Architecture Macbeth by William Shakespeare "Dagger" speech or Lady Macbeth’s "Unsex me here." Conscience Alley One student plays Macbeth. The others form two lines facing each other (the alley). As Macbeth walks down, one side whispers reasons to kill the King; the other whispers reasons not to.
Week 4 - Theoretical & Practice
Stock Characters / Lazzi The Servant of Two Masters by Carlo Goldoni Physical comedy and stereotypes. Grammelot (Gibberish) Two students in a group. Students must act out a scene of "Ordering a Pizza" using only meaningless/gibberish and exaggerated gestures.
Week 5 - Theoretical & Practice
The Fourth Wall / Subtext A Doll's House by Henrik Ibsen The final scene (Nora leaving). Hot Seat One student sits in the "Hot Seat" as Nora. The rest of the class asks her questions about her future ("Where will you go?", "Do you miss your children?"). The student must answer in character. We wll change the students and characters for some time!!
Week 6 - Theoretical & Practice
Verfremdungseffekt (Alienation Effect) Mother Courage and Her Children by Bertolt Brecht Didactic theatre; making the familiar strange. Teacher in Role You are supposed to be military recruiter and tries to convince the students (villagers) to give up their sons for the war. First you will make inner monologue. Yet, they must argue against you.
Week 7 - Theoretical & Practice
Existentialism / Circular Plot Mantle of the Expert Waiting for Godot by Samuel Beckett The class are "Time Experts" hired to solve the problem of boredom. They must design a protocol for how to wait efficiently. The breakdown of language and purpose.
Week 8 - Practice
Student presentations (Mid term examination)
Week 9 - Theoretical & Practice
Social Realism / Class Conflict Thought Tracking Look Back in Anger by John Osborne Two students act out a polite dinner scene. You clap your hands and say "Freeze! What is Jimmy thinking?" The actor breaks the fourth wall and speaks their inner angry thoughts, then resumes the polite scene. Disillusionment in post-war Britain.
Week 10 - Theoretical & Practice
Hybridity / The Other White Hat: Facts of the play. Death and the King's Horseman by Wole Soyinka The clash of Western and African values. Six Thinking Hats (De Bono) * **Red Hat:** Emotional reaction to the ritual. * **Black Hat:** The dangers of the ritual. * **Yellow Hat:** The benefits/cultural value. * **Green Hat:** Creative alternatives. * **Blue Hat:** Summarizing the discussion."
Week 11 - Theoretical & Practice
In-Yer-Face Theatre Forum Theatre (Augusto Boal) Blasted by Sarah Kane or Shopping and Fucking by Mark Ravenhill Act out a scene of oppression or bullying. The audience can yell "Stop!", replace the protagonist, and try to change the outcome of the scene.Removing the "safety" of the audience.
Week 12 - Theoretical & Practice
Verbatim / Documentary Theatre Creating a silhouette in AI The Laramie Project by Moisés Kaufman Edited Reality You will create a situiation in real life experience and try to reflect that it is a misunderstanding in accordance with your thought Theatre created from real interviews.
Week 13 - Theoretical & Practice
Total Theatre The Machine Metamorphosis (Steven Berkoff adaptation) Create a "School Machine." One student starts a repetitive motion and sound (e.g., writing). Another joins (e.g., the bell). All students join to create one giant, moving, rhythmic machine. Using the body to create the set and environment.
Week 14 - Theoretical & Practice
Self-Referentiality Gossip Circle Rosencrantz and Guildenstern Are Dead by Tom Stoppard Whisper a plot point from the play to one student. They pass it around. Compare the final statement to the original.
Week 15 - Practice
The Students presentations
Assessment Methods and Criteria
Type of AssessmentCountPercent
Assignment1%40
Term Assignment1%60
Workload Calculation
ActivitiesCountPreparationTimeTotal Work Load (hours)
Lecture - Theory140228
Assignment102130
Project24110
Individual Work141128
TOTAL WORKLOAD (hours)96
Contribution of Learning Outcomes to Programme Outcomes
PÇ-1
PÇ-2
PÇ-3
PÇ-4
PÇ-5
PÇ-6
PÇ-7
PÇ-8
PÇ-9
PÇ-10
PÇ-11
PÇ-12
PÇ-13
PÇ-14
OÇ-1
4
5
4
5
5
5
OÇ-2
5
3
3
3
3
OÇ-3
4
3
5
4
5
5
OÇ-4
4
4
4
3
5
OÇ-5
5
5
5
5
5
Adnan Menderes University - Information Package / Course Catalogue
2026