
| Course Code | : MİÇ548 |
| Course Type | : Area Elective |
| Couse Group | : Second Cycle (Master's Degree) |
| Education Language | : Turkish |
| Work Placement | : None |
| Theory | : 3 |
| Prt. | : 0 |
| Credit | : 3 |
| Lab | : 0 |
| ECTS | : 5 |
The aim of this course is to examine the historical development of communication technologies together with social organization, cultural memory, the public sphere, visual regimes, knowledge production, power relations, and everyday life practices (PO1, PO2, PO4). Through the approach of media archaeology, the course aims to critically discuss the historical continuities and ruptures of media such as the printing press, photography, cinema, radio, television, computers, the internet, platforms, and artificial intelligence (PO5, PO7). Students are expected to develop original academic research by relating contemporary digital and algorithmic media environments to historical media forms (PO6, PO8).
Within the frameworks of media archaeology, history of technology, communication theories, and critical media studies, the course examines the cultural history of media technologies such as writing, the printing press, photography, cinema, radio, television, computers, the internet, platforms, and artificial intelligence. It investigates which historical legacies so-called new technologies carry, which old problems they reproduce in new forms, and what forms of social transformation they enable. Students develop an original research paper examining a specific communication technology in its historical, cultural, and theoretical context.
| 1. | Explains the key concepts related to media archaeology, history of technology, and the cultural history of communication technologies at graduate level. |
| 2. | Analyzes the historical development of communication technologies in relation to social transformation, cultural memory, the public sphere, and power relations. |
| 3. | Establishes relationships of continuity and rupture among media technologies that emerged in different historical periods. |
| 4. | Critically evaluates contemporary digital and algorithmic media environments by comparing them with historical media forms. |
| 5. | Designs, writes, and presents original academic research examining a communication technology in its historical, cultural, and theoretical context. |
| 1. | Harold A. Innis - Empire and Communications |
| 2. | Marshall McLuhan - Understanding Media: The Extensions of Man |
| 3. | Raymond Williams - Television: Technology and Cultural Form |
| 4. | Friedrich Kittler - Gramophone, Film, Typewriter |
| 5. | Siegfried Zielinski - Deep Time of the Media |
| 6. | Jussi Parikka - What is Media Archaeology? |
| 7. | Erkki Huhtamo & Jussi Parikka - Media Archaeology: Approaches, Applications, and Implications |
| 8. | Elizabeth L. Eisenstein - The Printing Press as an Agent of Change |
| 9. | Walter Benjamin - The Work of Art in the Age of Mechanical Reproduction |
| 10. | James W. Carey - Communication as Culture |
| 11. | Manuel Castells - The Rise of the Network Society |
| 12. | Jan van Dijk - The Network Society |
| 13. | Neil Postman - Technopoly: The Surrender of Culture to Technology |
| 14. | Wendy Hui Kyong Chun - Programmed Visions: Software and Memory |
| 15. | Lisa Gitelman - Always Already New: Media, History, and the Data of Culture |
| Type of Assessment | Count | Percent |
|---|---|---|
| Presentation | 1 | %20 |
| Term Assignment | 1 | %40 |
| Midterm Examination | 1 | %20 |
| Final Examination | 1 | %20 |
| Activities | Count | Preparation | Time | Total Work Load (hours) |
|---|---|---|---|---|
| Lecture - Theory | 14 | 2 | 3 | 70 |
| Assignment | 4 | 3 | 1 | 16 |
| Term Project | 1 | 20 | 2 | 22 |
| Presentation | 1 | 10 | 2 | 12 |
| Final Examination | 1 | 4 | 1 | 5 |
| TOTAL WORKLOAD (hours) | 125 | |||
PÇ-1 | PÇ-2 | PÇ-3 | PÇ-4 | PÇ-5 | PÇ-6 | PÇ-7 | PÇ-8 | |
OÇ-1 | 5 | 4 | 2 | 4 | 3 | 2 | 2 | 2 |
OÇ-2 | 4 | 4 | 3 | 5 | 4 | 4 | 3 | 3 |
OÇ-3 | 3 | 4 | 2 | 4 | 4 | 3 | 4 | 3 |
OÇ-4 | 3 | 5 | 3 | 4 | 4 | 4 | 4 | 4 |
OÇ-5 | 3 | 4 | 2 | 3 | 5 | 4 | 5 | 5 |