Information Package / Course Catalogue
Religious Musical Instruments: Archaeology, Iconography, and Symbolism
Course Code: İST521
Course Type: Area Elective
Couse Group: Second Cycle (Master's Degree)
Education Language: Turkish
Work Placement: N/A
Theory: 3
Prt.: 0
Credit: 3
Lab: 0
ECTS: 5
Objectives of the Course

The objective is to examine musical instruments used in religious contexts through archaeological findings, visual depictions, and written sources; to enable students to evaluate the structural characteristics, ritual functions, and symbolic meanings of these instruments within their historical contexts; and to develop students' skills in conducting comparative, source-based research by critically exploring the relationships between objects, representations, and interpretations.

Course Content

The concepts of musical instruments—as sound-producing objects—along with their associations with the sacred and the symbolic, are examined, as are the principles of organological classification and documentation. The course covers the material, form, construction techniques, and functional contexts of archaeological instrument finds. Through selected examples from Ancient Egypt, Mesopotamia, Anatolia, and the Mediterranean world, the relationships between musical instruments and divine figures, religious functionaries, offerings, votive practices, funerary rites, and ceremonial observances are explored. Furthermore, the use and symbolic interpretations of musical instruments within Turkish religious music and Sufi culture are evaluated; methodological challenges—such as the identification and nomenclature of instruments, historical continuity, reconstruction, and their representation in museum contexts—are also discussed.

Name of Lecturer(s)
Learning Outcomes
1.Evaluates musical instruments used in religious contexts in terms of their organological characteristics and functional roles.
2.Interprets archaeological musical instrument finds based on their context, dating, and traces of use.
3.Analyzes depictions of musical instruments using iconographic methods and explains the limitations of visual representation.
4.Relates the symbolic meanings attributed to musical instruments to relevant texts and historical contexts.
5.It critically examines claims regarding instrument nomenclature, cross-cultural similarities, and continuity.
6.Prepares and presents a research dossier—with documented sources—on a musical instrument or a group of depictions.
Recommended or Required Reading
1.Dinçol, Belkıs. Music in the Ancient Near East and Egypt. Istanbul: Institute of Ancient Studies Publications, 1999. Alp, Sedat. Song, Music, and Dance Among the Hittites. Grapes and Wine in Anatolia During the Hittite Age. Ankara: Kavaklıdere Cultural Publications, 1999. Gülyüz, Bahriye Güray. “The Iconographic Evolution of the ‘Nefir’ as a Sufi Musical Instrument.” Journal of Turkish Culture and Hacı Bektaş Veli Research 96 (2020): 55–80. Yiğit, İrfan. “The ‘Çalpara’ as a Religious and Military Musical Instrument: From Ancient Civilizations to the Islamic Sufi Tradition.” Trabzon Journal of Theology 11/2 (2024): 461–479. Yiğit, İrfan. “Cultic Dances Among the Hittites and the Relationship Between Dance, Music, and Religion.” International Journal of Turkic World Studies 6/4 (2023): 95–108.
Weekly Detailed Course Contents
Week 1 - Theoretical
The concept of religious musical instruments and the scope of the course: The relationships between a musical instrument, a sound-producing object, a ritual tool, and a symbol; the intersection of religious and everyday usage.
Week 2 - Theoretical
Organological classification and identification: sound-production mechanism, material, form, and performance technique; classification of incomplete or fragmentary finds.
Week 3 - Theoretical
Archaeological finds of musical instruments: provenance, dating, traces of use, and associated objects; contexts including temples, tombs, votive deposits, and settlements.
Week 4 - Theoretical
Methods of musical instrument iconography: the material of the depiction, its intended purpose, composition, and audience; as well as scale, stylization, omitted details, and the influence of artistic tradition.
Week 5 - Theoretical
Musical instruments in written sources: names of instruments, ritual instructions, inventories, and narratives; the challenge of matching historical terminology with present-day instruments.
Week 6 - Theoretical
Musical instruments and sacredness in ancient Egypt: The cultic, votive, and funerary contexts of the sistrum, the harp, and other selected instruments; the functions of the instrument as both a physical object and a depiction.
Week 7 - Theoretical
Musical instruments, temples, and power in Mesopotamia: Selected examples of lyres, harps, and percussion instruments; the role of ceremonial officials and context in interpretation.
Week 8 - Theoretical
Depictions of musical instruments in ancient Anatolia: String, wind, and percussion instruments in ceremonial scenes; performance posture, ensemble arrangement, and ritual movement
Week 9 - Theoretical
Musical instruments and cults in the ancient Mediterranean: the aulos, lyre, tympanon, and other selected examples; divine associations, mythological narratives, and ritual practices.
Week 10 - Theoretical
Symbolic meanings of musical instruments: Relationships established with materials, forms, numbers, the human body, and the cosmological order; the origin and history of these symbolic interpretations.
Week 11 - Theoretical
Musical instruments and their significance in Sufi culture: The performance contexts of selected instruments—primarily the *ney* and *kudüm*—and their interpretations within literary and Sufi texts.
Week 12 - Theoretical
Comparison, similarity, and continuity: The use of similarly structured musical instruments across different cultures; possibilities of transmission, adaptation, and independent development
Week 13 - Theoretical
Reconstruction, museums, and digital representation: instrument replicas, sound samples, exhibition texts, and three-dimensional models—making uncertainties visible.
Week 14 - Theoretical
Research presentations and general assessment: The presentation of a selected musical instrument or a specific group of instruments, covering their material, iconographic, and symbolic aspects.
Assessment Methods and Criteria
Type of AssessmentCountPercent
Attending Lectures1%5
Quiz1%5
Midterm Examination1%30
Final Examination1%60
Workload Calculation
ActivitiesCountPreparationTimeTotal Work Load (hours)
Lecture - Theory145070
Assignment142028
Midterm Examination114014
Final Examination114014
TOTAL WORKLOAD (hours)126
Contribution of Learning Outcomes to Programme Outcomes
PÇ-1
PÇ-2
PÇ-3
PÇ-4
PÇ-5
PÇ-6
OÇ-1
4
3
4
4
5
4
OÇ-2
5
3
4
5
4
4
OÇ-3
4
4
4
4
4
4
OÇ-4
4
3
4
4
4
4
OÇ-5
4
3
4
4
4
5
OÇ-6
5
4
4
4
4
4
Adnan Menderes University - Information Package / Course Catalogue
2026