
| Course Code | : İST521 |
| Course Type | : Area Elective |
| Couse Group | : Second Cycle (Master's Degree) |
| Education Language | : Turkish |
| Work Placement | : N/A |
| Theory | : 3 |
| Prt. | : 0 |
| Credit | : 3 |
| Lab | : 0 |
| ECTS | : 5 |
The objective is to examine musical instruments used in religious contexts through archaeological findings, visual depictions, and written sources; to enable students to evaluate the structural characteristics, ritual functions, and symbolic meanings of these instruments within their historical contexts; and to develop students' skills in conducting comparative, source-based research by critically exploring the relationships between objects, representations, and interpretations.
The concepts of musical instruments—as sound-producing objects—along with their associations with the sacred and the symbolic, are examined, as are the principles of organological classification and documentation. The course covers the material, form, construction techniques, and functional contexts of archaeological instrument finds. Through selected examples from Ancient Egypt, Mesopotamia, Anatolia, and the Mediterranean world, the relationships between musical instruments and divine figures, religious functionaries, offerings, votive practices, funerary rites, and ceremonial observances are explored. Furthermore, the use and symbolic interpretations of musical instruments within Turkish religious music and Sufi culture are evaluated; methodological challenges—such as the identification and nomenclature of instruments, historical continuity, reconstruction, and their representation in museum contexts—are also discussed.
| 1. | Evaluates musical instruments used in religious contexts in terms of their organological characteristics and functional roles. |
| 2. | Interprets archaeological musical instrument finds based on their context, dating, and traces of use. |
| 3. | Analyzes depictions of musical instruments using iconographic methods and explains the limitations of visual representation. |
| 4. | Relates the symbolic meanings attributed to musical instruments to relevant texts and historical contexts. |
| 5. | It critically examines claims regarding instrument nomenclature, cross-cultural similarities, and continuity. |
| 6. | Prepares and presents a research dossier—with documented sources—on a musical instrument or a group of depictions. |
| 1. | Dinçol, Belkıs. Music in the Ancient Near East and Egypt. Istanbul: Institute of Ancient Studies Publications, 1999. Alp, Sedat. Song, Music, and Dance Among the Hittites. Grapes and Wine in Anatolia During the Hittite Age. Ankara: Kavaklıdere Cultural Publications, 1999. Gülyüz, Bahriye Güray. “The Iconographic Evolution of the ‘Nefir’ as a Sufi Musical Instrument.” Journal of Turkish Culture and Hacı Bektaş Veli Research 96 (2020): 55–80. Yiğit, İrfan. “The ‘Çalpara’ as a Religious and Military Musical Instrument: From Ancient Civilizations to the Islamic Sufi Tradition.” Trabzon Journal of Theology 11/2 (2024): 461–479. Yiğit, İrfan. “Cultic Dances Among the Hittites and the Relationship Between Dance, Music, and Religion.” International Journal of Turkic World Studies 6/4 (2023): 95–108. |
| Type of Assessment | Count | Percent |
|---|---|---|
| Attending Lectures | 1 | %5 |
| Quiz | 1 | %5 |
| Midterm Examination | 1 | %30 |
| Final Examination | 1 | %60 |
| Activities | Count | Preparation | Time | Total Work Load (hours) |
|---|---|---|---|---|
| Lecture - Theory | 14 | 5 | 0 | 70 |
| Assignment | 14 | 2 | 0 | 28 |
| Midterm Examination | 1 | 14 | 0 | 14 |
| Final Examination | 1 | 14 | 0 | 14 |
| TOTAL WORKLOAD (hours) | 126 | |||
PÇ-1 | PÇ-2 | PÇ-3 | PÇ-4 | PÇ-5 | PÇ-6 | |
OÇ-1 | 4 | 3 | 4 | 4 | 5 | 4 |
OÇ-2 | 5 | 3 | 4 | 5 | 4 | 4 |
OÇ-3 | 4 | 4 | 4 | 4 | 4 | 4 |
OÇ-4 | 4 | 3 | 4 | 4 | 4 | 4 |
OÇ-5 | 4 | 3 | 4 | 4 | 4 | 5 |
OÇ-6 | 5 | 4 | 4 | 4 | 4 | 4 |